Submissions from 2024
Analysis and Conservation of a 19th Century Automaton, Elisse D. Brautigam
Nineteen Figures and Counting: Contextualization and Conservation Treatment of a Jacob Spoel Painting, Susan P. Enterline
The Reveal: A Technical Study and Conservation Treatment of an Overpaint Portrait, Camille Ferrer
Christ Child Bearing the Instruments of the Passion Technical Study and Treatment of a Painting on Copper from the Viceroyalty of Peru, Daniela González-Pruitt
Technical study and conservation treatment of a Victorian-era taxidermy bird group, Daisy Greenwell
Not So Cavalier: Technical Study and Conservation Treatment of a Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
The Conservation Treatment and Technical Study of Two Marisol Sculptures, Ruthie Rolfsmeyer
Submissions from 2023
Les Trésors de la Maison, or L’Amour Maternel: The Technical Study and Treatment of Previously-Restored Painting, Katherine C. Aguirre
19th-Century Medical Saddlebag: An Analysis of the Contents and a Conservation Treatment, Lorna J. Brundrett
The Technical Study and Conservation of a Multiplex Hologram, Lindsay Cross
The St. Patrick Lithograph: Research, Analysis, and Treatment of a Nineteenth-Century Print, Meredith French
Our Lady of the Remedies of La Paz: Technical Study and Treatment of a Colonial Andean Painting, Grace J. Garrity
Conservation Treatment and Technical Analysis of a Blue & White Parian Vase, Yuyin Li
Straight Out-of-the-Tube: Analysis and Conservation of George Mathieu’s Pour une aliénation définitive du logos, Christy H. McCutchen
A Lifetime of Stress: Analysis and Treatment of an Inlaid Chinese Box, Katherine McFarlin
Nassau Hall Stair: The Analysis and Conservation Treatment of a Gelatin Silver DOP Photograph, Emily J. Mercer
Technical Analysis and Treatment of a Folk Art Portrait of a Boy, Khanh P. Nguyen
The research and treatment of a Qing Dynasty garment from the Buffalo Museum of Science, Nhat Quyen D. Nguyen
Treatment of a German Cuckoo Clock, Maeve E R O'Shea
Submissions from 2022
Comparative Study of American Cloth Covered Bindings 1850–1869 and Treatment of The Silver Sunbeam (1864), Emma Guerard
Promoting Access to Historic Book Structures: A Case Study of the Lord Collection, Kathryn Kenney
Contextualizing and reconstructing a model birch bark canoe, Jen Mikes
Material Analysis and Conservation Treatment of Louise Nevelson’s sculpture Dawn’s Image, Night, Kaela Nurmi
Research, Analysis and Conservation Treatment of a 19th Century Watercolor, Abby Schleicher
Piecing It Together: Analysis and Treatment of a Painted Silk Flag, Katya Zinsli
Submissions from 2021
Technical Study and Considerations for Conservation Treatment of a Banjo Clock, Stephanie Guidera
THE CONSERVATION and TECHNICAL STUDY of an EARLY 20th CENTURY OPERA COAT, Heather Hodge
The analysis and treatment of Ephraim Chambers’ Cyclopaedia, Christine Manwiller
The Analysis and Conservation Treatment of a Hand Carved Lectern, Elena Mars
Piety and Cultural Identity: Research, Analysis and Treatment of Pennsylvania-German Fraktur, Basia Nosek
Submissions from 2020
Minimally Invasive Treatment of Two 17th-Century English Bindings, Nicole Alvarado
LADY IN BLUE THE TECHNICAL STUDY AND TREATMENT OF A PORTRAIT OF A WOMAN, Rachel Childers
Submissions from 2018
THE CONSERVATION TREATMENT AND TECHNICAL EXAMINATION OF A GERMAN IMPRESSIONIST PAINTING, Sara Kornhauser
Submissions from 2017
ANALYSIS AND CONSERVATION OF PORTRAIT OF A YOUNG MAN, FORMERLY ATTRIBUTED TO ÉDOUARD MANET, Becca Goodman
Submissions from 2016
Promoting Conservation: An Investigation and Treatment of Seneca-Iroquois Moccasins, Nicole Passerotti