Department Chair

Patrick Ravines

Date of Award

8-2025

Access Control

Open Access

Degree Name

Art Conservation, M.A., C.A.S.

Department

Art Conservation Department

Advisor

Fiona Beckett

First Reader

Jiuan Jiuan Chen

Second Reader

Rebecca Ploeger

Third Reader

Patrick Ravines

Abstract

A technical analysis and conservation treatment were conducted on the Ex-voto with Saints, an oil painting on wood panel, dated 1752 and crafted by an unknown artist. Originating from the Spanish colonial period in Caracas, Venezuela, the artwork is part of the Art of the Spanish Americas collection curated by the Carl & Marilynn Thomas Foundation. The project's primary objectives were to identify the artist's materials and techniques, establish the most suitable treatment protocol, and conduct treatment on the painting. The study was complicated by a few factors, including that the panel had previously undergone several invasive conservation campaigns, and there is limited information on the materials and painting techniques employed by artists in Caracas, Venezuela, during the Spanish colonial period. Ex-voto with Saints underwent multimodal imaging including ultraviolet-induced visible fluorescence, reflected ultraviolet, reflected infrared, infrared luminescence and x-radiography. Materials analysis was executed with several analytical techniques, including microscope transmission Fourier transform infrared spectroscopy, Raman spectroscopy, x-ray fluorescence spectroscopy, cross-sectional analysis, and scanning electron microscopy with energy dispersive x-ray spectroscopy. The results of the technical analysis provided a better understanding of the painting’s materials and history. The confirmed palette used in Ex-voto with Saints includes vermilion, orpiment, Prussian blue, lead carbonate (lead white or cerussite), hematite along with other earthen pigments. Aesthetic and structural treatments were conducted, including varnish and overpaint removal, adjustments to the fills, varnishing and inpainting, as well as addressing the separated frame fragment. The treatment was successful and the painting is in exhibitable condition.

Available for download on Friday, April 23, 2027

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