An In-Depth Technical Analysis and Treatment of a Floral Still Life Painting

Department Chair

Patrick Ravines

Author

Elizabeth Robson

Date of Award

8-2019

Access Control

Open Access

Degree Name

Art Conservation, M.A., C.A.S.

Department

Art Conservation Department

Advisor

James Hamm

Advisor

Fiona T. Beckett

Department Home page

https://artconservation.buffalostate.edu

First Reader

Jiuan Jiuan Chen

Second Reader

Dr. Aaron Shugar

Third Reader

Dr. Rebecca Ploeger

Abstract

A floral still life painting believed to be of Flemish origin was examined using a variety of imaging and analytical techniques to better understand its materials and history. A palette including lead white, vermilion, orpiment, and ultramarine was confirmed, and the glue paste lining was also analyzed. The provenance and attribution of the painting was researched extensively, and it was concluded that it is more likely French than Dutch, created in the late 17th or early 18th century. Finally, aesthetic and structural treatments were undertaken to clean and stabilize the surface, revealing additional original detail and colors.

Recommended Citation

Robson, Elizabeth, "An In-Depth Technical Analysis and Treatment of a Floral Still Life Painting" (2019). Art Conservation Master's Projects. 50.
https://digitalcommons.buffalostate.edu/art_con_projects/50